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Flying kangaroos loose in the top paddock

Couldn’t help being reminded of Maynard G. Krebs, the hapless beatnik from the Dobie Gillis Show years back, when I saw our Albo losing it in a Johannes Leak Qantas upgrade cartoon.

If you remember Maynard, he went to water at any mention of employment. “Work!” he’d shriek in a high-pitched panic.

In the Qantas cartoon, Jim Chalmers suggests a need “to shift the focus back to the economy”. Albo erupts in similar shivering, sweating, white-knuckled, wide-eyed fear, squeaking: “Economy??!”

You might better recall Maynard as the castaway Gilligan, who seems another appropriate doppelganger for someone lurching haplessly from one disaster to another and yet staying afloat if adrift.

But the many questions about Airbus Albo’s closeness to former CEO Joyce and Qantas’ favoured treatment when Qatar came knocking with new flights and offers for Aussie customers are only part of the issue.

Think also MP upgrades, Qantas selling a million flight tickets to flights that didn’t exist, Joyce’s remuneration and bonus payments, oversight by the Qantas board – which included consumer guru Todd Sampson – deplorable treatment of passengers whose flights are cancelled, generally atrocious in-flight service …

People are going on about Dutton on Rinehart flights, but he wasn’t the one keeping Qatar out of our airways.

It’s not just Qantas and its Jetstar that the Feds are letting let us down. Returned from OS last week on Branson’s Virgin, who I’ve swung across to out of fear of being stranded somewhere noxious by the flying kangaroo.

Not much better. Check-ins are a long and lengthy farce, automated or in person. Seating space is ridiculous, painful and outrageous. In-house comms don’t work and the “hope you enjoy flight” nonsense over the PA is pure insult to injury.

These flights clearly don’t need to meet anything like the health or disability regulations demanded of any other structure accommodating human beings.

Passengers are blithely told the two toilets servicing some 160 people can’t be used while stewards spend an hour doling out drinks and over-priced food you wouldn’t feed your dog.

The 12 or so happy upgraded Albos in business, meantime, have one all to themselves. Nice ride if you can wangle it.

Not so nice when, like my last trip, the two cattle-class johns are commandeered by two gastro-infected squatters who refuse to give up their tenancy. Twenty cross-legged people in the aisles squirming and moaning did nothing to convince them otherwise.

Mercifully, those in the holding pattern didn’t succumb to the same diarrhoea or vomiting. Bowels like Grenadier Guards, though, shouldn’t need to be a necessity on everyday flights.

Not that Virgin, Qantas, Jetstar or anyone in CASA seem to share this thought on what is surely a matter of basic human rights.

Funny thing, Bonza used to serve up drinks and meals to your seat individually. None of this hijacking the road to the dunny nonsense Albo and our MPs obviously think is below their station. That indiscretion didn’t last.

Nor did poor old Rex, which went belly-up for having the temerity to try cutting into Qantas’ miserable bailiwick. Seems that’s what happens when you get too close to a protected species – or in Airbus Albo’s case, an endangered species.

Speaking of different species, Virgin is looking to let pet animals on board next year. I suspect that’ll only end in tears, or howling, yelping, baying-at-the-moon mutts on a plane.

Hold on to your seats, and your noses, because they won’t worry about waiting for the dunny line to clear. It won’t be the only thing that stinks about our airlines.

 

Bushwhacked by the jungle … again

Nothing quite like throwing yourself to the not-so-gentle vicissitudes of jungle-bashing. Never any shortage of geography, critters, climes or circumstances waiting to assail you.

The Amazon’s a nice place to start, not that I’m any kind of authority on these things. Its bushmasters, jaguars, fire-ants and piranha and non-stop rain thrumming from the dripping condensation of millions of leaves should spark your imagination. And any phobias you might  have about stings, bites, tropical diseases or being eaten alive.

Of course, you can wrangle with tigers and pythons and bugs the size of plates in the dense forests of India. Or perhaps the lion, leopard, cheetah and spotted hyena predators of the deepest darkest Congo, if you’re an Afrique tragic.

Not this armchair explorer, though. Much prefer my spot out in his backyard kennel.

I do, however, occasionally venture into the jungle, those species of jungle that aren’t a million miles from civilisation at any rate.

I’m happy to explore their waterfalls and beaches and rivers and gorges and the like. I’m big on old jungle temples. But I’d much rather avian squawkers and howler monkeys ahead of apex predators yet to understand their place in the planet’s food chain.

Matter of fact, one of the best sounds you’ll hear is the cry from a jungle bar, a shout to be precise. Nothing quite so inviting, especially when it’s attached to a pisco sour in Peru, an icy Antarctica pilsener under Morro Dois Irmaos or a chilly Bintang in Ubud.

A recent sojourn to Bali’s Gianyar regency found me scuttling down a precipitous track to revisit the famed Tegenungan Waterfall. Great way to cultivate a thirst.

 

By no means off the beaten track these days, it’s still a jungle favourite. Cliffs chiselled like something from Fred and Barney’s Bedrock, impenetrable jungle foliage, blazing sun and a stunning cascade crashing onto the heads of fools splashing about a hundred feet below. It’s a jaw-dropper.

I was taken aback, however, to realise this erstwhile primitive attraction – one of decidedly shonky stairs, rusty handrails, slippery muddy tracks and dodgy bamboo footbridges – had been concreted over, updated, usurped and pitched headlong over a cliff into the A-level rankings of knockout tourist traps.

Lord help me, even a massive, brand spanking, glass-bottomed 199-metre suspension bridge soars over the entire precinct, connecting two villages separated by the Petanu River gorge 66 metres below. The Bali Glass Bridge.

Never seen anything like it.  Yet right next door, the Omma Day Club, designed by bamboo magicians Studio 3 Bali, is giving it a fair run for its rupiah.

Perched impossibly on the edge of a cliff punctuated by smaller waterfalls, Omma is an architectural cacophony of said bamboo, thatch, outrageous mosaic tiles, swimming pools, restaurants, cafes and lounges.

It’s somewhere between George of the Jungle tree-hut, Gilligan’s Island and Pablo Luna with its mathematical hyperbolic twists and turns. Its outlook is eye-watering. and, thankfully, nowhere as vertigo-inducing as the bridge.

Tellingly, it’s an important refreshment station as you gird your loins for the exhausting, dehydrating climb back up those precipitous million or so steps. But gloriously, as a doe-eyed angel behind the jump told me, it also hosts an elevator back to the top.

Whaaat?! Of course it does. How else do the staff and everything else come and go? Brain fade moment. Curse this damn heat. Edgar Rice Burroughs never really mentioned that in the Tarzan comics and novels I was raised on.

Tell you what, though, for sheer feverish jungle intrigue you can’t go past the Boeing 737 I discovered deep in the Ubud suburb of Penestanan below the Svargo Loka Hotel.

 

Yep, giant bloody airplane surrounded a river gorge, a rocky redoubt, coconut trees and palms, and any number of monkeys, chinchilla squirrels and spa healing tragics you can imagine.

And it’s loud. Emblazoned with giant tailplane images, and fuselage wording, of none other than the uber-capitalists Warren Buffett and Milton Friedman. Straight out of Ripley’s Believe It Or Not.

You can’t see the thing from basically anywhere except the hotel property it’s on: Villa Biyu Siyu. It comes up, however, like a priapic Roman brothel sign on Google Earth.

Coincidentally, ridiculously, the hotel room and pool I’m polluting just happens to be directly opposite this plane, across the gorgeous Tjampuhan River gorge. I can see part of tailplane through the trees a hundred metres away. You wouldn’t know what it was unless you knew what it was, to mangle logic and language.

It’s further evidence the universe is dragging me into the jungle towards those rock apes my forebears descended from several generations ago. But tracking the plane’s provenance down is proving tricky.

No-one was around with enough English to quiz when I visited Biyu Siyu. No marketing spiels or blurbs or web ads offer any clues. Pretty pictures around, sure – you can find some sharp drone footage at https://www.youtube.com/watch?v=CDj3Sznd9-E&t=15s – but these websites offer next to nothing about the whys or wherefores of the plane’s presence in an impossible location.

Neighbouring locals are no help, repeat no help. They don’t even know it’s there, and that includes staff of two popular hotels less than 100 metres away. Fortunately, I had a surveyor with similar jungle fixations to me on hand. He discovered the thing in the first place, on Google Earth, so we knew where it was, we just couldn’t get there.

Upper food-chain apex predators that we fancied ourselves, a couple of hurdled fences and gates and it didn’t take too long. Shove over Tarzan Greystoke, we’re the lords of the jungle now.

A dying art at Warrock

 

Art takes a never-ending variety of guises. Given the number of artists extolled for their drafting skills, it seems only reasonable that good drafting might itself be considered a legitimate art form.

This is especially so when, as in so many artistic representations, a tale of some note accompanies the work. It is even more important given that it is a dying skill, one that has been slowly but surely replaced by the cyber skills of computer assisted drafting.

Take the measured drawings of the Warrock farming station north of Casterton overseen by Geelong architect and former Deakin University lecturer Lorraine Huddle.

The striking plans, elevations and sections prepared by 100 Deakin fourth-year architecture students for this project, undertaken in the early 1990s, presently live within the Special Collection of the Deakin woolstores campus library.

All up, there are some 230 drawings of the past settlement’s belfry, bull shed, homestead, shearing shed, shearers quarters, lavatories and much more. The drawings were worth an estimated $300,000 some 20 years ago, and were used by Heritage Victoria to assist in the station’s restoration.

 

The wider Warrock collection at Deakin includes monographs, maps, music, ephemera and pamphlets. However, it is the drawings that really strike the observer. Most are rendered in ink, some in pencil, and display inordinate details which at times extend as far as nail holes in timber weatherboards and often individual bricks.

The measured drawings were used for the restoration of dozens of buildings on the property, a Western District pastoral station about 30 km north of Casterton built by Scottish cabinet-maker George Robertson from the 1840s onwards.

It is considered Victoria’s, perhaps Australia’s, most important collection of farm buildings and includes 57 structures mostly built of sawn timber.

The complex sprawls across a gently rolling parkland of ancient river redgums with its grainstore, dairy, bacon house, blacksmith shop, bullock byre, branding shed and numerous other buildings reflecting the life of an isolated sheep station where all the necessary essential to life and such circumstances had to be grown or stored for long periods.

Other buildings in the complex include a pigsty, privies, stable, kennel, hayshed and hay barn, branding shed, foot dip, slaughterhouse, skin shed, cow bail, duck run, coach house and a cottage.

“Some of the buildings are just marvellous, they’re gorgeous,” said Huddle. “Also, it’s a dying art. All the Warrock drawings were done by hand. The students were very, very keen. The place got them in. There was no electricity there, only in the main house and a little cottage.

“One night I went walking about 10.30 and saw some lights in the conservatory. Students had placed candles in the dirt of a garden bed and were working on the drawings. That’s how keen they were.”

Huddle says George Robertson’s cabinet-making skills were reflected in the detail of numerous buildings at the station.

“You can also see his strong Protestant work ethic expressed in these buildings,” she says. “The bell tower, for instance, looks like a little chapel but it’s just a bell to call people to work.

“Time management was a pretty important part of that work ethic and while Robertson worked hard all the time, he treated his workers very well. He gave them good accommodation and looked after them a lot – but he expected them to work hard too.”

The original version of this article was published in the Geelong Advertiser 18 March 2001.

Island of the gods, guardians and peripatetic primates

Peculiar pre-match entertainment for a Cats-Tigers clash when you’re kicking back peanuts and Bintangs in the Bali mountain jungle town of Ubud.

A dozen or so Barbary macaques parading alongside the bar – upside-down infants clutching their mothers, cocksure males trooping the colour – suggested a peculiar cheer squad on the march. Perhaps not that peculiar in Tigerland, though.

Oh, sorry, I take that back but it’s been said now. Maybe I can’t.

Bar staff have abandoned the traditional shanghai slingshot deterrent favoured by hotels for coloured laser beams, which seems to be taking the fun out of things. When you’ve been hissed at, spat on and tackled by the little blighters and their rabid claws, sympathy levels for primates aren’t high.

The lasers send them scarpering, non-violently. My remonstration to a staffer about new tech over old tech is countered with: “Monkeys are sacred, they’re guardians of our temples.”

Oh yeah, that’s right. If only they stuck to the temples and off the hotel balconies spooking the tourists.

Peripatetic chimps are far from the only organic entertainment on offer on the Island of the Gods, though. Look closely around the place and you’ll find all sorts of oddities.

Think tourists buying satay sticks and sausages to feed stray dogs. Café tables and chairs washed out to sea by the incoming tide. Hawker knock-offs three times more expensive than home. Locals eating with ducks off the same table. Girls in dental floss bikinis practising yoga in front of beachside diners. Missile-like fireworks blasting out to sea as Boeings come out of the sunset to land in the shadow of giant deity statues.

Then there are plantain squirrels whipping through the jungle foliage, giant snails, luminescent black and yellow centipedes, koi pond fish feeding frenzies, dragonflies galore, fighting cocks, masterful bird mimics.

  

Art’s everywhere you look. In religious offerings, in signs, sculptures, gardens, temples, carvings, buildings, shop fittings, traditional clothing, masonry, paintings, furniture … absolutely everything.

Construction’s going on everywhere, too. Jackhammers next door, pile-driving down the river gorge, massive refits to old hotels, including one opposite the ‘quiet’ room I booked.

I’m especially drawn to a giant carapace bamboo structure rising from a paddock smack in the middle of Ubud. Workers line up for a 15-minute rev-up from the boss before I wander over, stupidly barefoot on the hot black bitumen path, to reconnoitre proceedings. A tall lean bloke introduces himself as the property owner, says the double-shelled, thatch-roofed design is going to be a yoga studio.

Good bet it might draw a bit of attention, too. It’s been whipped up by bamboo’s wunderkind architect, Pablo Luna  – known for blending Bali’s tri hit karana philosophy of harmony between people, nature and spirituality with environmental, sustainable and biomimicry principles into his work.

It’s a fair matrix. Almost as cross-pollinated as his background:  a Chilean-born architect of Peruvian/Lebanese heritage who studied in New York before taking his work to Indonesia and South-East Asia, Costa Rica, Mexico, India and Chile.

No doubt it will slot right in with Ubud’s wealth of health and wellness practitioners. No shortage of anything in that jungle; from soothing didgeridoo drones through fusion vegan iterations to breatharian starvation rackets, propped by a multitude of souls seeking happiness, self-awareness and more Zen in their lives. For all the healing they provide, I think Lomotil’s somehow got the jump on them.

The real thing about somewhere like Ubud, and the broader Bali, is the island itself and its natural geographical attributes. A mountain bike ride, a handful of temples and waterfalls, maybe some whitewater rafting, a few palms and a rice terrace or two are about the extent of things the punters will investigate outside the insane gridlock of Seminyak and Canggu.

 

Which is a pity. I’ve had a dog-eared topographical map of the island for a while now, a bright green-coloured thing of valleys, mountains, volcanoes, precipitous gorges, rivers, lakes – a surveyor’s paradise, or maybe nightmare. Contained within its cartographic swales and saddles are a trove of ridiculously stunning tracks and defiles, villages, waterfalls, panoramas, rivers, ravines, coastal outlooks, islands to ponder, jungle …

I’ll be happy to keep ticking off place names for next decade or two given half the chance. If the bloody monkeys don’t give me rabies, that is.

Best read with a red … or maybe not

Review: A Mapmaker’s Dream

by James Cowan

Fra Mauro is a 16th century monk on a magnificent journey around the world without leaving the clustered confines of his cell on an island in Venice.
A cartographer devoted to drafting a definitive map of the world, he gathers his knowledge from a steady stream of travellers beating a path to his door.
Pilgrims merchants, explorers, scholars, foreign legates, ambassadors, missionaries, officers – all have heard of his ambition and want to make a contribution.
This, of course, presents Fra Mauro with a brilliantly seductive menagerie of Renaissance curiosities.
His visitors present him with cannibals and shrunken heads, turbaned Orientals, mermaids and hairy-bodied women, Borneo jungle dwellers who treat birdcalls as omens.
Together they discuss the world frequented by the thoughts and presence of Ptolemy, Solomon and Columbus, Babylon, Egypt and Rhodes, jade elixirs, Satan-worshippers, salamanders and one- legged men who wheel along on arms protruding from their chests.
Genghis Khan, Prester John, the Tartars, Crusaders, Persians, Thomas the Apostle in India – exotic characters are freely peppered throughout his cerebral discourses and peregrinations.
The problem Fra Mauro faces, however, the more he is confronted with tales that challenge the physical and philosophical tenets of his already considerable knowledge is to represent not the world’s geography but its thoughts and mysteries.
What he is trying to do is depict in two dimensions, within the margins of his maps, the three dimensions of space – a difficult task in pre-Mercator days .
He wants to incorporate the multi-layered dimensions of humour, thought, experience and philosophy as well.
Author Cowan uses phantasmagorical elements of the Renaissance as metaphor and playground for the discovery of the mind.
The experience is other-worldly. The intent seems to be to disarm the reader’s sensibilities and then usurp his beliefs – just as Golden Age discoveries of that time turned the world on its head.
Cowan has some tips for the reader. He says to treat Fra Mauro’s ruminations as a process of gradual guessing. His dream is to derive meanings from the perfect use of mystery.
And there is something of a rider, too. It is for the reader, says Cowan, to decide if Mauro’s meditations on the discovery of the world strike a sympathetic chord.
In many ways this is not difficult. For instance, a scholar, one of Fra Mauro’s visitors, finds himself inexplicably captivated by the mummified corpse of an ancient Egyptian princess.
Her death repose suggested to him that even in death her life had provided a jolt. “We do not engage in life so easily. It is not something we embrace naturally … in a sense we need to be jolted into it, do we not? he asks Fra  Mauro.
An elderly Jew from Rhodes, perturbed by his homeland’s trials, has lived in self-imposed exile for many years. These twin seeds of defeat – his Jewishness and exile – prompted him to embrace his solitude.
Says Mauro: “He  had discovered in his ruthlessness how to inhabit origin of his own mind … to redeem himself rather than allow another to do so for him.”
Cowan writes of deceptive appearances, of interpretation, of discernment and of searching. His vehicle, the immovable Fra Mauro, is yet another of many symbols.
And while it might seem self-promotion on Cowan’s part, you are left with the feeling he is correct when he says one feels that Fra Mauro has something important to say not just for his time but for always.
A word of advice. One critic suggested A Mapmaker’s Dream should not be read without red wine. Perhaps not, but I suspect a clear head would be far preferable.
This book shakes and bounces. It spins the world like a top and rocks its foundations as it negotiates a bewitching path through history, religion and philosophy.
And you wouldn’t want to miss anything on a ride ride like this.

Postcards from the heartland …

Long-standing joke in my family is that the many French letters my grandmother was sent by her Gallic aunt a century ago were addressed to her at ‘Truganina Loose Bag’.

Pretty cruel, really. She was a darling thing. Widowed at 47 with eight kids, she drew on country girl nous garnered on the rocky windswept plains of Truganina and Tarneit to get through. And did so admirably.

The letters were actually postcards – of rivers, mountains, snowy forests, buildings, bridges, farms – most of them out of old France, the Vosges, the Alsace, more than a century ago, many of them during the Great War. Shots of soldiers at the Pyramids, in the trenches or on the march are peppered through the collection. One shows a road where her great grandmother was stalked by wolves.

Sad story. Granny’s aunt, sister of her dad, came out to Oz in 1873 with their parents, fleeing Strasbourg in the aftermath of the Franco-Prussian war. The aunt was sent home to her grandmother after a couple of years in an orphanage when her mother died of TB months after her arrival. Her brothers were sent up country to friends. Her dad remarried.

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Been scouring through the postcards looking for info that might help inform a neat project going on in what’s officially Tarneit but what we always called Truganina: Granny’s old 1877 bluestone home, burnt out in the 1969 fires that ravaged the area, is being rebuilt.

All by the City of Wyndham. Costing a small bomb but looks quite remarkable. Heritage restoration building works have taken place already to secure the building’s structural integrity and renders are up online showing café plans for its future. All very smart looking and positioned as it is, beside a large park and plenty of homes, it’s already attracting interest from potential operators.

Place is called Remiremont. It was built by William Doherty in 1877, bought and farmed by my great grand-pere Louis Valentine Paul Didier in 1903 and named for his French home, and stayed in the family with his son Paul until 1956.

LV Paul Didier’s sister Jeanne’s postcards were sent regularly and broach harvests, seasons, music and birthdays but assume a more sober tone with the onset of war; the carte postale images changing from bucolic landscapes to ambulance wagons, bombsites, military parades and uniforms, battle scenes, bombings and wounded soldiers.

Jeanne was a single girl, an English and German teacher, living in Epinal, on the Moselle River, in rural France’s Vosges mountains about 20km from Remiremont. The area pops up occasionally in coverage of the Tour de France.

While she was boning up on her linguistics skills with the correspondence, the cards were pored over at Remiremont, Tarneit, by her young nieces; their exotic European allure a captivating, all-but-unreachable destination – as much as Australia was to their author who penned a raft of letters as well. Both towns became bywords for the family’s sense of history.

Tourist guide books don’t give a great deal away about Epinal. Some go as far as to advise against going there. Don’t heed what they say. You might even thank them. If anything, they’re protecting the charm of this provincial capital on the edge of the Vosges Mountains.

Epinal straddles the Moselle River, a little off the tourist beaten track and about 85 km southwest of the Alsace’s famous city Strasbourg. The only reason this scribe ventured anywhere near it was to investigate the home of this long-dead relative who  sent the often poignant postcards to Australia.

The cards, hundreds of them, were a source of mystery and deep fascination. The images of these cards varied greatly. A great many were military, most of the others tourism- oriented – all of them might be considered historical documents. There are soldiers squatting in trenches, exhausted Moroccans returning from the front, helmeted guards with rifles at hand watching over vital railway lines, army vehicles negotiating dangerous mountain paths, memorials to the fallen.

Then there are buildings, idyllic mountain scenes, stone fords, parks, fountains, the Moselle in flood, dour-looking family groups, churches , streetscapes, houses set on hillsides. And virtually all of these in a faraway romantic monochrome haze – one that seems to even soften the harsh image of German prisoners of war being marched through town. In return for all these, great grand-pere sent Australian newspapers back to his sister to use in her job as an English teacher.

The mutual correspondence went on for decades, all of which made Epinal, for this scribbler, a place of great curiosity. Remarkably, visiting the town from getting on to a century’s distance not much had changed. The parks, memorials, bridges, churches, buildings, are largely still in place. The town square has changed little and the Moselle still flows through the heart of town.

What was surprising to learn was the town history. Its foundation dates back to a 10th century monastery built by the Bishop of Metz. The town soon became a political, economic and cultural centre at the crossroads of four nations:  Lorraine, Alsace, Burgundy and Champagne. In the 18th and 19th centuries, it developed a reputation as the world capital of popular print-making, an industry which still flourishes to this day in a working museum-gallery, the Imagerie.

Epinal claims to be the most wooded town in France, with the forest galore, and it is a Mecca for hiking, horse-riding, mountain-biking, camping, sailing and fishing. It boasts numerous festivals – street theatre, comic theatre, music and international piano competitions – plus art houses and museums, flower arrangements everywhere and of course all the charm of its many centuries-old townhouses, churches and provincial architecture.

With any luck, Epinal’s charms will remain intact for some time yet, especially if the guidebooks continue to recommend against visiting.

Travel bites: Euphoric redemption in Bali

A downward dog-led economic recovery is probably not what you’d expect to counter the Covid/volcano/earthquake/tsunami-led tourism recession of recent years in Indonesia’s Ring of Fire.

For one thing, yoga fanaticism, spiritual con artists – think breatharians and didgeridoo healing – were around before the ongoing flight cancellations of late.

But sticking your bum in the air in a steaming, oxygen-depleted environment in an idyllic jungle mountainside has its merits. And that taps into the Balinese economy in a reasonably big way.

You’ll lose weight, to dehydration. You’ll feel euphoric, to heat frustration. You’ll feel achievement, to the weight-loss euphoria.

For people who in their youth might have frequented the booze-holes and fleshpots of Legian and Kuta, smoking dope and scoffing magic mushrooms, it’s probably kind of redemptive. Or something.

It’s neat to fly for six hours to buy a sense of spiritual tranquillity amid a deeply religious Hindu community surrounded by natural and human disasters of a scale unimaginable to your average clueless Aussie.

But con artists, faux spiritualism and healing, yoga fanaticism and Australia prices are once again the norm in post-Covid Bali.

This is across Bali. The idyllic mountain and inland villages and towns of the beautiful Indonesian island. Not just the Legians and Canggus with their booze-riddled churls and phone-addicted narcissists.

The latter remain tide-recycling rubbish tips with fancy hotels years as before ago. It’s surfing and ocean swimming where Bali belly comes from these days, as often as anywhere else.

Up in the hills, by contrast, the palms and bougainvillea, the paddies and river gorges, are ever-increasingly frequented by travelling souls seeking spiritual succour and purpose in a steaming, sweating contortion. It’s a downward dog redemption against their Western follies and prodigal excesses.

Big little changes to how you live

Unless you’ve been living under a rock, you’ll know housing in Australia is changing. Has been for quite some time.

Tighter lots, increasingly prolific renewable energy, gas on the way out, recycled water, floor plans changing to work from home, the shrinking back yard, are all the norm. Today’s greenfield communities are far removed from the raw, bare estates of old.

These changes, however, are about to be ramped up big time. Or small big time to be more accurate.

Think more smaller homes, townhomes and townhouses, apartments, terrace homes. In the greenfields as well as established urban areas. Think many, many more. Medium density’s coming your way and it is going to be snapped up by a largely unserviced market hungry for affordable, low-maintenance and quality homes. It’s started already, in fact.

Numerous factors are driving this change. The over-arching factors are price, inadequate land supply, soaring migration numbers, demand – and governments anxious about financing new infrastructure in the greenfields and keen to ramp up urban growth around existing infrastructure. Then there’s also lifestyle options where buyers don’t want big houses, preferring easy-to-maintain smaller homes; buyers such as first home buyers, singles, downsizers.

Given the competitive nature of the property market, it’s no surprise to find developers, architects, designers, builders and planners upping the ante of small homes in terms of design, quality, craftsmanship and delivery.

The recently-released book Housing Evolution: Towards Better Medium-Density Design (UWA Publishing) is a powerful catalogue of how this transition is unfolding, what it looks like, of designers throwing themselves at it with a passion and the striking results they’re achieving. It’s been compiled by Western Australia’s Office of the Government Architect, Development WA and staff and students of the UWA School of Design.

   

“The ability to flex, adapt and evolve is becoming increasingly vital to respond to the challenges our world is now facing – and nowhere is this more evident than in our communities,” says DWA’s Dean Mudford.

“Housing design is evolving to address this challenge and this has given birth to exciting new urban precincts that deliver smarter density and diversity, including safety, connection, a greater sense of community and, importantly, affordability. By taking a strategic approach to designing housing with a diverse range of approaches to density, we can address community concerns and make the case for innovation.

   

“We can demonstrate how under-utilised pockets of urban land can be reimagined into thriving neighbourhoods where you can walk to work, shops, cafes, parks and public transport. While the nature of housing is changing, the importance of homes and community remains at the core of our society. Everyone wants to come home to a place where they feel safe, connected, comfortable and free to make choices that suit their lifestyle.”

These sentiments are echoed in the likes of developer  Villawood Properties’ approach to building new communities to include a greater proportion of premium medium density homes. Its VillaRange suite of small homes, on separate land titles as opposed to many other MD offerings, is a telling precursor to what’s shaping up as a powerful watershed for the housing sector.

VillaRange is geared directly toward a part of the market long ignored by the industry: people anxious to buy but kept at arm’s length by the tyranny of price. These homes smash that barrier while upping the ante in significant terms not previously addressed for this type of housing – central location, access to amenities and services, social networks, community opportunities.

     

Building homes is one thing, building communities is another, of course. And VillaRange (above) reflects a maturity and responsibility in urban design that is setting benchmarks for competitors. It’s part of a strategy of community sustainability that’s intrinsic to Villawood’s MO. An ethos delivered through a diversity of lot options, swathes of open space, recreation, retail and social facilities, and financial community support.

Villawood provides community infrastructure years ahead of what local councils or government might, or even can, provide. It’s a key part of how Australian housing is changing. As housing demand continues to grow, it’s the astute, caring and innovative urban designers who will best shape the future.

As Dean Mudford says: “The way our towns and homes were designed in the past is no longer sustainable and we need to be smarter about the way we use our land and resources to ensure our cities are well-positioned for the future.”

When the pain hurts like charity

Cold as charity is a term that’s uncomfortably familiar to many people who have a new Geelong sanctuary for their lost and stolen childhoods.

It’s hard to imagine just how chilling that charity was for orphans abandoned by destitute, deceased or disappearing parents and stab-passed into the tender cruelties of church, government or community so-called ‘care’.

Numerous orphanages and foster homes were witheringly censured by the Royal Commission into Institutional Responses to Child Sexual Abuse for their appalling failure to ‘care’ for the highly vulnerable innocents in their charge. Way, way too many children were irreversibly scarred by the physical, sexual and mental assault they faced. By the constant belittling, forced labour and bitter discrimination.

Brutality was an everyday menace for them. This was underscored by a persona non gratis status. Family contacts and details were deliberately withheld by authorities. Lies and fabrications tarnished their understanding of identity and self.

Today those children are old. Many can’t bear to recall their childhood. Many hide it from others. Others again, however, have found a solace of sorts in the company of fellow survivors. Geelong’s recently launched Australian Orphanage Museum, just out of town along Ryrie St, is a crucial, long-awaited facility for these people. It is a remarkable facility and a sobering reminder of the institutionalised barbarism visited on thousands of defenceless children across the country over generations.

The museum has been created by CLAN, the Care Leavers of Australasia Network – led by Geelong’s indomitable Leonie Sheedy – and features rare memorabilia from orphanages and homes where those children were abused.

It’s not a pretty story. The scars still sting for many of the survivors CLAN supports. The museum is a very real focal point for these survivors, one that acknowledges and corroborates their often untold, and for far too long, unrecognised, stories.

Those stories aren’t pretty either. The rapes and bashings often spawned angry adults only too quick to lash out and all too often find themselves on the wrong side of the law. Others have lived lives chewed up by PTSD, deep mental health issues, unemployment, homelessness and poverty.

One woman told me she was raped from age seven and through her teens, several times a week, while in ‘care’. She said she punched herself in the stomach to stop any baby from growing. All the while, files have since revealed, her father was trying to get her out of care but the authorities wouldn’t agree.

“It was just disgraceful. The government was our guardian but there was no guardianship,” she said.

Another told me of multiple rapes and regular bashings, pregnant at 13, jail at 14, four kids by 20, two of whom have since died – one by suicide after the car he was driving crashed and his brother died – as well as a grandchild lost in a crash.

For all their suffering, these people don’t want to be known as whingers. They toughed it out as kids, they’ve done so as adults too. But they do want to be acknowledged. And Redress would be good, too. Might pay for their funerals, if government can ever get its act together.

As for charity, well you know where you can shove that – especially the tax-exempt charitable status still given to institutions that oversaw their abuse.

This article was published in the Geelong Advertiser 30 May 2023.

When the pain hurts like charity

Cold as charity is a term that’s uncomfortably familiar to many people who have a new Geelong sanctuary for their lost and stolen childhoods.

It’s hard to imagine just how chilling that charity was for orphans abandoned by destitute, deceased or disappearing parents and stab-passed into the tender cruelties of church, government or community so-called ‘care’.

Numerous orphanages and foster homes were witheringly censured by the Royal Commission into Institutional Responses to Child Sexual Abuse for their appalling failure to ‘care’ for the highly vulnerable innocents in their charge. Way, way too many children were irreversibly scarred by the physical, sexual and mental assault they faced. By the constant belittling, forced labour and bitter discrimination.

Brutality was an everyday menace for them. This was underscored by a persona non gratis status. Family contacts and details were deliberately withheld by authorities. Lies and fabrications tarnished their understanding of identity and self.

Today those children are old. Many can’t bear to recall their childhood. Many hide it from others. Others again, however, have found a solace of sorts in the company of fellow survivors. Geelong’s recently launched Australian Orphanage Museum, just out of town along Ryrie St, is a crucial, long-awaited facility for these people. It is a remarkable facility and a sobering reminder of the institutionalised barbarism visited on thousands of defenceless children across the country over generations.

The museum has been created by CLAN, the Care Leavers of Australasia Network – led by Geelong’s indomitable Leonie Sheedy – and features rare memorabilia from orphanages and homes where those children were abused.

It’s not a pretty story. The scars still sting for many of the survivors CLAN supports. The museum is a very real focal point for these survivors, one that acknowledges and corroborates their often untold, and for far too long, unrecognised, stories.

Those stories aren’t pretty either. The rapes and bashings often spawned angry adults only too quick to lash out and all too often find themselves on the wrong side of the law. Others have lived lives chewed up by PTSD, deep mental health issues, unemployment, homelessness and poverty.

One woman told me she was raped from age seven and through her teens, several times a week, while in ‘care’. She said she punched herself in the stomach to stop any baby from growing. All the while, files have since revealed, her father was trying to get her out of care but the authorities wouldn’t agree.

“It was just disgraceful. The government was our guardian but there was no guardianship,” she said.

Another told me of multiple rapes and regular bashings, pregnant at 13, jail at 14, four kids by 20, two of whom have since died – one by suicide after the car he was driving crashed and his brother died – as well as a grandchild lost in a crash.

For all their suffering, these people don’t want to be known as whingers. They toughed it out as kids, they’ve done so as adults too. But they do want to be acknowledged. And Redress would be good, too. Might pay for their funerals, if government can ever get its act together.

As for charity, well you know where you can shove that – especially the tax-exempt charitable status still given to institutions that oversaw their abuse.

This article was published in the Geelong Advertiser 30 May 2023.

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